Planning - Shot List

Codes and Conventions of a Thriller Opening Sequence:

Sub Genres of a Thriller - Sci - fi, Physcological, Crime and Mystery. For Example; The illusionist, Silence of the Lambs and Jaws.

Thillers often begin with an opening that leaves the audience puzzzled and disorientated, often engaging the audience in what is happening leaving them wondering what is going to happening. The main features that contribute to the opening and throughtout a thriller is the; sounds effects, and also the editing (fast repeated cuts, camera tilting). Lighting can also be used in thrillers as a way creating suspense, e.g shadows.

Location Shots for Film

Here are the location shots of where we will be filming our Thriller piece:

                                        Long establishing shot, you can see the house and 

                                                                its surroundings.

                                    Close up of doors looking into the room of where we will be 

                                                          filming our opening sequence.

 

                                           This shot will be used as a Point of view shot (p.o.v) 

                                                      as the girls are sitting on the bed. 

 

 A bedroom where one of the girls could be hiding.

  

                                                               Living room, where someone could be running to hide 

 

 

 

Shot of hallway with mirror. (P.O.V)  

   

Shot of an old Piano, could be used to play mysterious/ 

creepy music 

 

 Low Angle shot of Staircase.

Zack and I took these wrecky location shots of where we

will be filming our Thriller opening (Zacks house). 

Some of these shots will be used within

our film although we are still 

discussing which 

shots to use. 

 

Our Continuity sequence

 

Here is our group continuity sequence named 'the eyebrow'

Taken from You tube account  

Thriller film narrative (Hide and Seek)

Beginning:
        The film opens with a flashback of the girls past, their childhood. The five girls are having a sleepover party and during the sleepover one the girls suggests to hide from their friend while she's gone to get a drink. This then turns into a game of Hide and Seek. One the of the girls is killed during the game by a mystery killer/ stalker.

Middle:
        The girls are now all grown up and are living separate lives. They start coincidentally bumping into each other. One of the girls is having a wedding and arranges a hen party. A couple of days before the hen party strange things start to happen to them. For example one girl will wash her hands and blood will run from the taps, instead of water. Another might be seeing their dead dead friend in the mirror. The girls start to disappear one by one, is this the mystery killer? They are killed by strange happenings. The audience are left left wondering and in suspense.

End:
        We don't actually find out who the killer is, we are left to think, we only see a hint of his identity; a possible action to symbolise the killer for example, a hand grip.

The Secret Window Thriller opening analysis (own choice)

As Part of our research and analysis we have to analyse a Thriller opening of our own choice. The Film I have choose to analyse is the Secret Window (2004), directed by David Koepp. The codes and conventions that make up a thriller include; dark or low lit settings, increased tempo in music, sinister upbeat music, threats, and a build up in tension and suspense. I will be looking at how the technical aspects like; camera, sound, editing and mise-en-scene create the opening of the thriller.

       The clip begins with the Columbia production company logo, immediately as the opening starts the music begins. The editing is done very cleverly as the scene opens with a car (jeep) parked outside from what we can see is a house, this then fades into rippling water; this confuses the audience and makes them think about what is going on, it plays with our minds. The camera then pans up to an establishing shot to see the setting of a forest surrounding the lake with house situated at the middle (centre of the forest). There is then an edit where the scene fades closer to focus on the house; the camera is then slowly zooming into the house on a crane shot. Still on a crane shot the camera is swung around, zooming into a small window on the side of the house, the audience is left to think about what this is leading up to. The camera is then panned around to focus on a laptop at a desk.

       Still on a crane shot the camera zooms into a man sleeping in pyjamas on an old sofa. His dressing gown is ripped at the seam of the shoulder, we then think of him as of a lower class and tatty in the sense that he can’t afford to buy a new one. The camera is then left at a medium shot of the man on the sofa for a couple of seconds. There is then a black out as the opening sequence ends. The transition of cuts and editing flows nicely, the fading into closer shots of the house works well and effectively without disorientating the audience; instead leaving the audience work out what's going to come next.  

Vertigo Opening Analysis:

       For Our Media film analysis, we have been asked to analyse a Saul Bass thriller title sequence opening. The film I have chosen to analyse is Vertigo, a famous 1958 Thriller by Alfred Hitchcock. From studying the opening of the film, I think the title sequence is good as it makes the audience feel disillusioned; it gives us a sense of dizziness. The strange ambient backing track adds to the lexical field of suspense and disorientation, leaving the viewer wondering what is going to happen.

       The opening begins with an extreme CU of the bottom half of a womans face in black and white (the audience does not see anything before this, and is left puzzled to what is happening and who this person is).  The Camera then swings around from the right to the centre of her face, keeping the extreme CU shot and zooming into her darkly coloured lips. The camera is then tilted upwards to focus on her eyes as she looks to both sides. Notice that she does not blink, this also adds to the tension and suspense. There is then a zoom in to her left eye and her eye then widens, also as the camera zooms in the colour changes from black and white to a blood red colour, this increases suspense as the colour of the red, is adding to the connotation value of blood.

       After the zoom in of the eye, a rotating, spinning, spiral appears from the centre of the eye, enlarging after every rotation keeping the same circular shape of the eye (Iris wipe). This is clever of Alfred as it shows he has thought about his opening; (the word vertigo refers to dizziness, where there is feeling of motion when one is stationary) he has incorporated the meaning of vertigo by adding the spirals and disorientating images, focusing on the dizziness referred to the word Vertigo, and using it as his opening giving the sequence a lexical field of disillusion. This also adds to the denotation meaning, as the audience then associates the symbol of the spiral and dizziness to the word Vertigo.  The spiral images continues leaving the audience waiting in suspense wondering what is going to happen, leaving them puzzled to question themselves. The last spiral then focuses back to the eye, and the blood red colour, rotating to the shape of the eye. The scene then fades into blackness, leaving the audience wanting to watch on. 

 

( Image taken from - www.google.co.uk/images )